Political Violence, Division, and the “Second Civil War”: Why King Asilas Feels Prophetic

I released Episode 1 of The Rise of King Asilas, “The Ascension,” in 2017, yet listening to it in 2026 feels less like revisiting the intended speculative fiction and more like hearing an eerie warning about America’s political trajectory. The narrator describes “America’s second civil war” as a conflict of “brother versus brother, sister versus sister, and neighbor versus neighbor.” These are classic phrases of toxic rhetoric that ultimately divide people who would otherwise love each other if not for their insistence on changing each other’s minds. At the time, many listeners may have interpreted it as dramatic dystopian storytelling. Today, after years of political unrest, violent protests, assassination attempts against political leaders and public figures, and increasingly militant rants from all sides of the ideological spectrum, the language sounds disturbingly familiar.

What makes Episode 1 particularly fascinating is that it was originally written as satire, not to predict a conventional civil war. In fact, the entire series was written as satire, but it didn’t land that way when they were posted, and they certainly don’t feel like satire now. What I had originally envisioned was the parody of a nation psychologically and culturally fractured beyond repair. King Asilas explains that the divisions began with politics (“democrats versus republicans” & “conservatives versus liberals”) and eventually expanded into deeper ideological warfare involving economics, identity, and the role of government itself. But I held on to hope that things would correct themselves for the sake of keeping America the greatest country in the world. Instead, the show’s progression mirrors what many Americans believe has happened over the last decade.

The United States of 2026 is not engaged in a formal military conflict between states, but it is undeniably experiencing a crisis of national consensus. To many Americans, it increasingly feels that way. Political discourse has become increasingly hostile, with opponents no longer viewed merely as people with different ideas but as existential threats to the country itself. A country that a growing number of people feel genuine angst towards. Public trust in institutions (government, media, academia, even elections) has sharply eroded. Violent speech that once existed only on the fringes now circulates openly across social media platforms and political commentary channels. The celebration of death and destruction as a means to achieve political ends has become tolerated and commonplace. Along with this, any semblance of respectful disagreement has utterly dissolved. 

This is why some commentators, including figures like Tim Pool, frequently discuss the possibility of a “second civil war.” They often clarify that such a conflict would not happen in the literal sense, like in the 1860s. Instead, it would be decentralized: ideological warfare, civil unrest, institutional sabotage, political radicalization, and sporadic violence erupting across communities. In many ways, that is exactly the version of conflict Episode 1 portrayed years earlier. Fans of the show have told me on several occasions that Tim Pool speaks as though he listens to The Rise of King Asilas. As flattering as these comments are, he has never indicated he is even aware of the show, at least not in public.

One of the episode’s most prolific lines is the description of America being “lost in ambiguous character” before ultimately embracing “stoic populism.” These phrases were woven in with a certain specificity because even back then (in mid 2017), the seams of America’s fabric were coming undone. Whether one agrees with the philosophy presented in the story or not, the phrase captures a growing sentiment of an impending second civil war and the belief that America no longer knows what it is. Across the political spectrum, there is widespread disagreement over national identity, morality, patriotism, history, borders, religion, and even objective truth itself. And I won’t even get into the outright self-hatred that permeates throughout the endless protests in the streets across America.

The rise of General Asilas in the story is presented as a reaction to chaos and the collapse of political debate. He emerges not because democracy is floundering, but because citizens have become exhausted by disorder and division. Historically, this has often been the pathway through which strongman leaders gain influence. When populations lose faith in institutions, they frequently gravitate toward figures who promise stability, certainty, and national restoration, even at the cost of democratic norms. Because so much insanity grips America in the story, acceptance of a king to “restore order” was mostly fathomable. Could such a thing actually occur in the real world? 

It’s a theme that resonates strongly in 2026. Americans increasingly speak in apocalyptic terms about elections and political outcomes. Every major election cycle is framed as “the most important in history.” And those words have been repeated for the last number of decades, but they’ve become more hostile in recent times. Political opponents are accused not merely of incompetence, but of treason, tyranny, fascism, or revolutionary subversion. This constant escalation creates a climate where compromise becomes impossible because each side believes defeat would mean national collapse. Hence, the emergence of “lawfare” in place of winning cultural and political debate is to be expected at the conclusion of any election, whether at the local, state, or national level.

Episode 1 also understood something many political analysts now openly acknowledge: technology and media intensify polarization. While this pilot episode focuses primarily on ideological divisions, the broader series repeatedly alludes to information warfare, propaganda, and manipulation. In today’s world, algorithm-driven outrage dominates online engagement. Political tribalism is monetized daily through podcasts, livestreams, and social media ecosystems that reward emotional escalation over nuance, which only exacerbates an already toxic arena for discourse. Moreover, the episode’s “civil war” concept is not merely about violence. It is about alienation. Americans increasingly live in separate informational realities, consume different media, distrust different institutions, and hold radically different interpretations of events. In practical terms, this creates conditions where national unity becomes extremely difficult to sustain.

What makes “The Ascension” compelling in hindsight is not that it literally predicted specific events. Rather, it identified underlying pressures that were already forming beneath the surface in 2017. I (like many others) recognized back then that America’s divisions were deepening in ways many people underestimated. The show extrapolated those tensions forward and imagined what could happen if distrust, resentment, and ideological absolutism continued unchecked.

In 2026, that warning feels less theoretical than it once did.

Whether America is truly entering a “second civil war” remains a matter of debate. Some argue the phrase is irresponsible hyperbole, while others believe the conflict is already underway in cultural, informational, and psychological forms. Some even argue that the emergence of AI is, in some ways, the new ultimate ruler. An electronic monarch that oversees, influences, monitors, and even manipulates the lives of every human being on this earth. And if that seems far-fetched, it honestly isn’t, especially when you consider all the top minds of the world warning of AI’s impending destruction of our way of life. Yet regardless of terminology or personal beliefs, Episode 1 of The Rise of King Asilas captured an uncomfortable truth years before much of mainstream discourse was willing to confront it: a nation does not need armies on battlefields to tear itself apart. Sometimes the fracture begins in the minds of its people long before the first shot is ever fired.

Listen to Episode 1:

Monsters in the Dark: Episode 3, Hidden Elites, and the Allure of the Epstein Files

In Episode 3, “The Monster Group,” a narrative detonates the core revelation of the series that changes everything. King Asilas confesses that the visible political world is merely theater. Behind its slick exterior stands a concealed fraternity of planners. Standing in the shadows of “dark halls” are evil men, orchestrating leaders, manipulating social tensions, and guiding history like chess pieces. He calls them Monsters. Not their real name, but certainly a fitting one.

For people attuned to real-world intrigue, it is difficult not to feel echoes of modern controversies, especially the public fascination surrounding the “Epstein files.” It begs us to explore why certain patterns in the story feel so compelling to those who enjoy connecting the dots and have followed the show’s storyline. When one listens to episodes (especially in Seasons 1-2), it doesn’t land the same way anymore. The details emerging from the Epstein files have changed how one can truly take in the content of the series.

The Anatomy of the Monster Group

In Episode 3, Asilas admits he once belonged to the secret elite. With so many names redacted, one can surmise that those who claim to “champion” justice are within the orbit of perpetrators named in those files or in the files themselves. Thus, having the fictitious character Asilas also come from within the circle of fiends seems to be in alignment with what is currently coming to light. Ultimately, it cannot be an outsider railing against power; it has to be an insider-turned-defector.

So, let’s explore what the episode suggests. First, political leaders are selected, not elected. Even the simplest of Lehman have long said this out loud, either in jest or blurted intuition. Second, social chaos is engineered. Many conspiracy theorists have been shouting from the hills for decades that the collapse of the Western world is designed to usher in the New World Order. However, the idea that the public is given a curated version of reality isn’t unique to modern society. For as long as civilizations existed, doubt among commoners has persisted when it comes to “believing” what their leaders say outright.

The emotional power of this confession lies in its plausibility. There are no laser beams or alien invasions. At least, not yet. Instead, the horror is bureaucratic (i.e., cigars, exotic drinks, smoky rooms, long discussions about shaping society). The idea that the fate of the world rests in the diabolical plans of a few is unsettling, to say the least. But deep down inside, we know it.

The terror is systemic.

For the conspiracy-minded, this framework feels familiar. Secret meetings. The King and Capone drinking whiskey and planning the death of billions of people. Elite networks. Influence traded in private. The suggestion that what we see is not what is decided.

Listen to Episode 3 (again or for the first time).

The Epstein Files: Catalyst for Suspicion

When documents connected to Jeffrey Epstein and his associates began surfacing publicly through court cases and investigative reporting, the cultural impact was explosive. Names, flight logs, private island references, and redacted files fueled an already simmering suspicion that powerful people operate by different rules. And not just different rules, inhumane and ungodly rules. Some of the information being revealed suggests torture, ritualistic murder, and even cannibalism. It’s disgusting and (for some) completely unbelievable.

Why aren’t people filling the streets with outrage?

Because the situation presented elements that resonate with the “Monster Group” archetype that puts the illusion we’ve all been fed our entire lives on its head. It’s no longer a creepy, horror film or scary campfire story designed to spook the bejesus out of you. It’s starting to set in that this crazy talk is real. And the people engaging in all the “gross stuff” (to quote President Jackson in Season 1) are people we all know very well. They are the wealthy, the rich, and the famous. People we’ve looked up to, people we’ve aspired to be like, people we admired. It’s them, and we want to wake up from this nightmare. But it is true. All of it. And the Epstein files are exposing just how terrifying that secret society truly is. To think: there is still much more we haven’t been shown.

The Psychology of Pattern Recognition

Episode 3 leverages a powerful human instinct: pattern-seeking. Asilas’ analogy about children believing in Santa Claus is pivotal. He argues that society operates under comforting illusions. Once the illusion dissolves, nothing feels stable again. This mirrors how many people describe their reaction to learning about Epstein’s crimes and the elite social circles around him. The idea that wealthy and influential individuals could be entangled in secretive behavior triggers a psychological shift. It invites a broader question:

If this happened, what else could be happening?

That leap is where fiction and speculation thrive.

One of Episode 3’s most compelling elements is Asilas’ transformation. He was not merely aware of the Monster Group; he helped plan its operations. He climbed its ranks. Then he defected. This trope is central to conspiracy culture: the whistleblower. The insider who knows the machinery and chooses to reveal it. In real-world discussions around Epstein, the public has gravitated toward journalists, investigators, and unnamed “sources” who allegedly have deeper knowledge. The idea of someone within the system pulling back the curtain is intoxicating. It satisfies a narrative hunger: redemption through revelation.

The reality, of course, is often far more fragmented and mundane. Legal processes are slow. Evidence is complex. Motives are unclear. But in fiction, clarity is dramatic. A secret society exists. The king knows. The war begins.

“Monsters” as Metaphor

Episode 3 deliberately blurs whether the Monster Group members are metaphorical or literal monsters. Asilas hints that “most of them are not people like you and I.” It could be spiritual symbolism. It could be moral language. Or it could be a literal suggestion within the show’s mythos. Conspiracy theorists frequently adopt similar metaphors in discussing elites. Terms like “monsters,” “demons,” or “reptiles” often function symbolically, expressing perceived moral corruption rather than biological difference.

The language becomes mythic.

And myth is powerful.

The Epstein scandal, while grounded in documented criminal behavior, became mythologized online. Threads spiraled into claims of occult symbolism, ritualistic power structures, and global cabals. But with more details coming to light, with more interpretations and commentary, memes, and TikTok shorts bombarding the masses with images, blacked out faces of literal horror shows, emails with coded, sadistic, and evil messages, our collective heads are spinning. People are going back, reading old blogs and Reddit stories, and literature from Alex Jones.

They all read like a thriller.

The Emotional Core: Betrayal

At its heart, Episode 3 is not about monsters. It is about betrayal. Asilas feels betrayed by the system he served. The audience is meant to feel betrayed by institutions. The Epstein scandal similarly triggered a sense of betrayal. Many citizens asked:

How could this have happened for so long? Who knew? Who looked away?

The mere existence of elite impunity for years created fertile ground for distrust. And distrust is the soil in which conspiracy grows. For those who navigated the dark side of this world, reading fringe, self-published books about the subject of secret societies, and trolling the Internet for breadcrumbs of the cabal on 4chan and other places, the Epstein files are vindication. But no one is celebrating being right about this. Even I, who wrote (arguably) the most epic fiction podcast in the world, there is no glory in being right about this darkness. King Asilas is an archetype, a metaphor, a symbol of a collective scum that dogs humanity’s potential. The bane of achieving peace and prosperity. For in the name of saving humanity, the king ushers in Armageddon and the end of civilization. But none of those happened until King Asilas did one very crucial thing: he hunted those in the Monster Group. And if there is anything that resembles this action in real life, it’s the hunt for those in the infamous Jeffrey Epstein’s client list.

Why These Parallels Fascinate

It is crucial to reiterate: Episode 3 is fiction. The Epstein case, while involving documented crimes and legal proceedings, does not provide verified evidence of a supernatural or unified “Monster Group” controlling governments. But if something smells like excrement, well, there’s only one thing that smells like that. Therefore, the parallels are psychologically compelling and cannot be ignored. Simply put, they reflect archetypes:

  • The hidden council.
  • The compromised elite.
  • The reluctant king who defects.
  • The war against unseen forces.

When real-world scandals reveal genuine corruption, they validate the emotional core of these archetypes—even if they do not confirm the grandest interpretations. For conspiracy theorists, the connection is not about proof. It is about pattern resonance. Such as King Asilas’s obsession with hanging the British Royals. And who was arrested on his 66th birthday? The former Prince Andrew.

The Final Question

In Episode 3, Asilas says that learning the truth changes everything. And he’s right. The moment corruption is no longer abstract, no longer rumor, but a documented, undeniable reality, the mind shifts. Certainty fractures. Trust erodes. And in that fracture, something else seeps in.

When people glimpse real corruption, they don’t just become cautious. They become receptive to grand narratives, to hidden architects, to monsters in the dark. The line between vigilance and imagination begins to blur. So what stalks the halls of power? Are there literal monsters pulling strings in secret chambers? Or are there simply flawed human beings—ambitious, afraid, and armed with too much authority?

Reality is rarely as cinematic as fiction. Power is usually more banal than demonic. But in a world saturated with scandal, secrecy, and betrayal, the shadow always feels alive.

And once we believe something is hiding in the dark… we will never stop searching for it.

First King Asilas Novel Book Launch

JV Torres, creator of The Rise of King Asilas, has published the first novel based on the epic fiction podcast titled “The Ouroboros.” The book is available on Amazon in both paperback and ebook. Also, there will be an official launch party in Baltimore on November 16, 2023 at 6PM at the Hillsmere restaurant (5707 Belair Road, Baltimore, MD). Some cast members from the podcast will be there mingling with fans and spectators, so it is sure to be a fun event. If you can’t make the event, you can still show your support by getting a copy of the novel by clicking HERE. Also, check out the flyer for the event.

The End of the King Asilas?

Well, we’ve always known the story would eventually have to come to an end. Though it isn’t something I say lightly, ending the saga of King Asilas is happening right on schedule. During the pandemic, I contemplated stretching the series out to nine seasons, but I changed my mind when I realized I would be diluting a very rich story. I figured there will be ways to keep the King Asilas world alive past the ultimate destruction promised by Revelations. For now, however, I need to stick to the script and end this show the only way it can be done: in EPIC fashion.

So, where does this story conclude? In some ways, the story ends at Armageddon. But in other ways, it continues on long after King Asilas and everyone around him dies. How is this possible? It’s been written that when the Alpha Omega returns to earth, judgment would befall mankind (the living and the dead). From there, a thousand year rule sweeps over the earth, with a Holy theocracy headed by the Christ himself. This idea is largely believed and accepted as Gospel by theologians and Christians worldwide. But what no one has asked (at least no one I am aware of) is what happens after the thousand year rule? Without spoiling the story, I can tell you my imagination lives in the possibilities of “after the thousand year rule.” In fact, if you haven’t figured this out by now, the story is being told by a narrator that isn’t connected to anyone (at least, none we are aware of). Have you noticed the narrator always tells the story in the past tense?

A couple of years ago, I attempted to address this seemingly out of place aspect of the show. How can the narrator be telling the story in the past tense? Simple. The story already happened. So, that means the narrator is in the future. In the short film (that was never produced) titled “The Narrator,” I had intended to bring this aspect to light for King Asilas fans. However, on the advice of others in my circle, I decided against it since there were too many pieces missing to the puzzle and the movie would likely only make sense to fans of the show. So I shelved the idea and will revisit it later.

Which brings me to where this leaves the King Asilas story. I have already produced one film based in the King Asilas world (The Beggar) and am working on a feature film about the king himself. This new movie, titled “Eviscerate,” will feature some familiar characters from the show including Lords Capone and Jackson, Nabal, Queen Rebekah and others. It is, by far, the biggest production I have personally ever overseen. It’s going to be incredible. But this is also one of the major reasons the show has to conclude. In order for me to produce more films (and perhaps even a web series), I will need to dedicate a lot of time and resources. Therefore, producing an audio drama of this caliber cannot be done without dedicating a lot of time to it. There simply isn’t enough time to do all of it.

This may or may not be comforting to die hard fans of the show, but rest assured I am nowhere being done with King Asilas. In fact, I will be producing a season 7 of the show with L.A. Bonet. However, it will be a flashback season, where it is narrated by Princess Monica and the story centers around her. Many of the familiar characters will appear in that season (including the king) because it takes place during the season 1 and season 2 timeline. This seventh season is still in the embryonic stage as I write this blog, so much can change from now to then. At least, fans of the show will know it really isn’t over. From from it.

As for the storyline itself, I have spent much more time on this season than previous ones. Why? It has to end in the most dramatic, epic, memorable way possible. I have really challenged myself as a writer and voice actor to make this final season the best in the world. I have no intention of disappointing the fans of the show. An absolutely incredible ending is my promise.

~JV

The Loss of John Doby

John Doby portrayed “Lord Quintin Capone” in The Rise of King Asilas.

I met John Doby right as I was beginning to put together the first season of “The Rise of King Asilas.” He had answered an ad I placed looking for voice actors. I asked him a lot of questions. Not because I was oblivious to the acting world, but because I wanted to find the perfect role for him to play on the show. As we talked, it became clear his natural personality could fit “Quintin Capone,” the king’s best friend and confidant. Later on, John and I became friends in real life. We often talked on the phone because he lived in New Jersey and I live in Baltimore. In time, we came up with the idea that he could put his filmmaking skills to good use by filming a short movie based on the audio drama. It was John who actually gave me the idea that I could make a short movie, and this basically changed my life.

My wife and I made a trip to New Jersey a couple of years ago. John and I had collaborated on a short script titled “The Ordo” and we would spend a few days filming it in Keyport. It’s a neat little town and my wife and I took a few extra days to go just up the road to NYC. It was great to spend some time with John (and Lynn Spencer). I felt we bonded a little more and we became better friends as a result. But the film “The Ordo” never actually made it to the final edit stage. John was working on, as he put it, “his life’s work.” He had been putting together a feature film titled “Again.” It’s a sci-fi thriller about a man who brings his dead daughter back to life. The project was years in the making and remains unfinished.

I believe John rather enjoyed playing the role of Quintin Capone because it allowed him to indulge in his crazy fantasies of power and excess. In that regard, John and I found many commonalities. We both had fun portraying the characters we played on the show, and were both amused by people who took the story way too seriously. Sometimes people went after us on Twitter and Reddit, criticizing us–as if we really were like the characters we played. We were two peas in a pod when it came to those who took the storyline of the show a little too far. In the end, I can honestly say there are many things we agreed on and things we didn’t agree on. But where we thought differently, we found reason to pause.

When I heard the news of John Doby’s passing, I was in total shock. My first reaction was to call Steve Fisher (Lord Jeremy Oreb). We both sat on the phone, struggling to process the news. It was a sobering moment for us both: realizing our own mortality, reliving the fun moments in the show, thinking about the years ahead. We both agreed we should never take a day for granted and promised we would speak more often. You never know when someone is snatched from your life. I never got a chance to say good bye to my friend, John. I just took it for granted that I would call him when I finished writing the scripts. But I didn’t get to.

My last communications with John was a text message. I was trying to get him to sign on to our Patreon so he could see my first short movie. I knew he had been busy filming his own movie. I knew this because I saw his postings on Facebook. He texted me back. His final words to me were “Awesome. Congrats! I’ll check it out.” But he wouldn’t get that chance. He was dead two days later.

If I could say one final thing to John, I would say, “I love you, brother.” But something inside me says he knew this. He knew this because whenever he needed a favor, whenever he was feelings down, whenever he was lost in his chaotic life, he would call me. I would be there for him. He knew he could count on me. He knew I was a true friend who never judged him, who never criticized him for his faults or flaws. I accepted him as he was. And I pray God will accept him in Heaven. “Goodbye, my brother. Until we meet again on the other side.”

~JV Torres